#157Color Channel Composite

Three unrelated black-and-white scenes — concentric ripples, a woven plaid, and a spiralling noise swirl — piped one into each colour channel. R is the ripple field, G the plaid, B the swirl, so where two scenes happen to agree the pixel goes white and where they disagree it splits into pure primaries. Each channel drifts on its own clock and is nudged by a small opposing uv offset, so the composite never sits still — it shivers with a red/cyan anaglyph fringe. Hover to shove the three layers apart into a parallax split; scroll to advance all three scenes at once.